You can read the next level jazz tutorial (Pro Level) of Someday My Prince Will Come here: Jazz Tutorial: Creating an Artistic Interpretation of a Song with Piano. Pro) you can download them here: Someday My Prince Will Come in 4 levels.If you want access to all of these arrangements (Beginner’s If you’re interested in learning more about jazz theory and improvisation, be sure to check out mDecks Music‘s other resources. We hope this tutorial has given you some ideas and inspiration for your own arrangements. By borrowing chords from the minor key, using modal interchange chords, and creating a more advanced rhythmic grid, we can create an arrangement that is both sophisticated and accessible. In this tutorial, we’ve explored an advanced arrangement of Someday My Prince Will Come and discussed some techniques that can be used to create more complex and interesting arrangements. In this arrangement, we’re using a D/F7 chord as an upper structure chord in the intro. They allow us to highlight tensions within the chord and create a unique and interesting voicing. Upper structure chords are chords that are built on top of a basic triad or seventh chord. The left hand is also filling in the spaces offered up by the right hand, which creates a more clearly defined bass line.įinally, we’re using upper structure chords in this arrangement. We’re using an eighth-note subdivision to define our grid, which creates a more complex and interesting rhythmic feel. The rhythmic grid is another important aspect of this arrangement. Then, in the outro, we’re using chords from the Bb Aeolian mode to create a sense of resolution. We’re using chords from the Bb Mixolydian mode to create an intro that leads us into the song. In this arrangement, we’re using modal interchange chords to create an intro and outro. These are chords that are borrowed from a parallel mode or key. Modal interchange chords are another way to add color to your arrangement. For example, in the first line of the arrangement, we’re using the bVI chord from the Bb minor key, which is Dbmaj7. We can borrow chords from the parallel minor key to add a bit of color to the arrangement. This creates a clearly defined anchor for the listener and allows us to introduce chords that aren’t in the key, like the Db/F and C/F in the intro.Īnother technique used in this arrangement is borrowing chords from the minor key. The dominant of our key is Bb, so we’re using the note F as a pedal point in the bass. In this arrangement, we’re using a dominant pedal point in the key of F to build tension. The intro sets the tone for the entire song and is a great way to build tension and establish the key. The first thing we’ll discuss is the introduction.
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